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Female possession art

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Female Possession Art

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As an exhibition of her extraordinary, occult-inspired works opens at the Serpentine Gallery, London, we travel to Sweden to find out. I t is a cold afternoon in February and I am about to catch a plane to Stockholm in pursuit of a Swedish artist whom most people have never heard of: Hilma af Klint

Age: 22
Ethnic: Czech
Eye tint: I’ve got clear blue eyes but I use colored contact lenses

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Across painting, photography, and sculpture and a range of artistic strategies from abstraction to documentary, the exhibition aims to create a counterpoint to persistent myths and reductive ideas about femininity and gender norms.

This exhibition explores the gendered construction and deconstruction of the female body and its representation. Photo: Jueqian Fang.

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Ann Poulson, Associate Curator of Collections. Together, the works on view serve as an invitation to reconsider the possibilities of the individual and collective female body when untethered from the limitations encoded within culture and society that attempt to narrowly define and contain it.

The exhibition locates the feminist pursuit of self-determination in solidarity with racial and sexual difference, and many works explore intersecting identities and interlocking forms of oppression. Contemporary Art. About the Henry.

Upper Level Galleries. Permanent Installations.

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Reed Collection Study Center. Plural Possibilities Object Details.

On View. The artworks included wrestle with questions of power and self-possession in relation to pleasure, desire, and acts of looking, as well as challenge traditional Western conceptions of beauty and a fixed gender binary.

The exhibition is made possible by a generous gift from Virginia and Bagley Wright.